This is a personal request for a portrait. The first time I drew her, it was only a quick digital line drawing.
I had fun with adding grayscale and color tonal layers.
There is a bonus line drawing – I was not inspired to take this piece further in layers.
Enjoy –
Tagcolor
Three works for Tuesday morning. I’ve continued with just line – no gray-scale or color tonal layers.
One suggestion I had from my Sister was to use a range of different colors with the line – to separate and define objects. This worked well – I used a dark green for the grass areas in the painting. Dark blue for the sky and water, and a light yellow for skin tones. The red acts as a base. I’ll continue experimenting with a range of colors in the line.
Formatted my laptop yesterday, backed up majority of my files on the system but forgot to backup my GIMP 2.8 settings. I had to create new settings for getting a thin to thick pressure look and make new brushes (default GIMP brushes are quite terrible). My old brushes are on my desktop computer, an 8 hour drive from here. I plan on getting the computer back in the next few weeks – I love those brushes I’ve got on it!
Here’s a portrait I did of my friend Angelique (went to TLC with her) because the format:
Line. Normally I go with a red color for the line – but mixed it up here and used the green. Working on a square format rather than the normal wide landscape. It felt restrictive and didn’t allow me to do the normal landscape effects I ususally use in my digital paintings.
Black and white tone. Simple, nothing special. But I like it.
Color. Usual color palette – yellow for a skin, red hair, and green for the background. No blue in this. I usually use blue for the sky/background and green for the ground. The square share is weird to work with.
I’ve got a better setup in my room now for working on the computer. My energy has been low for a long time, this is why I haven’t been updating the site. I’ve been focusing mostly on making games.
I never got a replacement Tablet for the Wacom Intous 5. Instead, I’ve kept with the small one. It’s alright, and does the trick but doesn’t allow me to paint all day as a get a sore hand.
Here’s a zombie painting I did from RedditGetsDrawn. I would post the reference but I checked back on the listing and it seems it’s been deleted! Must always save the reference images.
Anyway, here you go:
Zombies are fun to draw. This one had somewhat of an Asian look. I rearranged the scene somewhat – sending the guy on the left towards the back and bringing the zombie forward. Moon/landscape in distance/water, and a fence to separate the zombie and guy.
Tone. Merged the guy into the background somewhat. Pushed forward the guy out of the background with using the skin tones (yellow and red), these are the same as the skin tones I used on the zombie. For the water I used green, and landscape/sky blue. You can see all the tones of colors/gray-scale I used on the left.
I have a few pencil drawings that I need to either photograph with my phone and upload or buy a new SD card for camera.
I hope you enjoyed that digital painting and I’ll be sure to upload more in future – it’s important I keep slugging away with these digital painting
Slow on the digital painting recently. I’ve been filling up my sketchbook with pencil drawings. This morning though I went to Lower Hutt Starbucks and finished a cityscape work and started a painting from life. Here’s the result. Great to get something uploaded since it’s been several days.
Here goes -
This is the reference I used. On the left is a sketch from Hastings, center is a building which is visible from parliament and the right is a pencil line sketch of an area on Cuba Street. I started merging together my pencil drawings into digital paintings towards the end of last year and it’s been great to get back into it again, I’ve really only been working on RedditGetsDrawn works so fun to do some work that involved just the environment - no characters!
Line work. The center building was the first area to complete in line. I went and did the grayscale tone for the building as well before deciding it needed more detail and bringing in the reference on the left and right. Fills up the page.
I wanted to make sure that the three pieces worked together without feeling out of place, where they line up is important. Overlapping and such is not a problem.
And gray-scale tone. I used a range of brushes in this work in order to give a variety in texture. Make sure to balance those lights and dark throughout the piece. Looking back
Color. Wanted to keep with colors I was familiar with, but added in a brown to experiment with. This is working well with the reds. The right side of the page has evolved since color has been added, no longer is it a pillar but instead it’s a building structure. These things happen.
Here’s some more digital works. This time I used reference from RedditGetsDrawn.
Portrait photo reference. I usually go for photos that have more of the body but this one was interesting with the tape covering her mouth. The background was plain, with only the vertical tiles. I added in quick flicks. I wanted to work different here – created a map top down view rather than a perspective looking over the ocean to the hills in the distance.
The tone changed the map idea with more of a focus on perspective - the normal way I do these scenes. I’ve used range of brushes. Normally I stick with the one brush in the whole painting but adding more adds texture and variety to the piece.
Color. Went with a orange for the skin. Since I’ve been using a range of tones with the color I feel I can explore other colors without having problems of the colors not working together – like in washes. Using the range of tones allows for clarity and flow within the color – and spreads throughout the whole painting.
This was a great reference of these two people. When I was little my uncle would give me piggy back rides. Extremely large scale for the figure sitting on the others shoulder.
Grayscale tone. Much of the work is flattened out – the ground area doesn’t contain the texture that the line version had. Minimal focus on the face details - leaving out eyes/nose/mouth.
A range of saturation was used in the figure. Previously I had only worked with adjusting values. I love the brush for the leaves.
Figure on the left. I used a photo I took in Wellington for the environment I often just use my imagination. Working from reference will be helpful. Especially using my own photographs.
Mixing up the colors with a blue for the figure. Pink was used in the building, not sure how I feel about it – doesn’t fit the flow of the painting. Maybe a nice brown would have worked better. Fun times with the green, covering the majority of the painting. The hills and sky in the distance are painted blue.