ArtCtrl

Friday. Experimenting Drawing. Georgette modeled. I hadn’t drawn her since sometime last year. It certainly wasn’t the most progressive life drawing class… but it was fun to draw Georgette.

I worked easel – brown paper – long strips. These strips fit on the board easily without folding areas over the board. I’ll keep working with this shape and explore where it leads…

15 min pose if I remember correctly.  Could be longer. foreshortening is exciting. It’s nothing to be scared of. Nothing is impossible to draw. Especially with life drawing – all the information is in front of you. I used an old watercolor pencil for the negative space. These are a lower quality then the excellent Derwent Colorsoft I use. Worth using them up this year as I don’t want to take them overseas when I leave.

Chunck of graphite – 8b. I’ve had this since 2010 so it’s getting small. It’s a favorite for warmups. This isn’t a warmup – but I’m frustrated and not enjoying it. Why do some days life drawing works and others, fail.

Similar to the earlier drawing. This has structure. foreshortening is a major element. I was able to create huge thighs compares to smaller arms in the background. Certainly creates depth within the artwork.

A portrait. I like to keep up my portrait skills so when I have a life model I try to get a portrait done.

I like this. It might be my favorite of the day. It’s a shame I didn’t get more time to work on it. I would enjoy more longer standing poses but they are hard for the model to hold. Longer poses tend to be sitting or lying.

Bunch of quick studies. Looking at shapes. In several I’ve added tone. This boosts them out of the page. Action and movement is easily captured with this method of drawing.

Another page of studies. Plus a portrait thrown in there! One to note is in the middle (to the right of the white)  - the elbow is pointing out and hand wrapped around hip. This was a solid attempt of capturing the foreshorting with only line.

And the final gestural page. By the end of the day I was tired and left early. Hanged out in Marcs class. It was nice to have a break from life drawing as I was reaching 14 hours this week. You can over do it and it’s important to not burn out.

Dan will have a model on Monday.Rumor has it – clothed model. I’m not sure if I will go or not. I’ll see how I’m feeling. Marc Hill on Thursday which I’m looking forward to! OILS

I can’t believe it’s Friday. A whole week has flown by. I haven’t felt I’ve updated or worked on digital works

These are the life drawings for Dans class on Monday. The model was Loraine. I used graphite/colored pencil on brown paper. No paint.

I love drawing. Enjoy

Attempts at using curvy marks with the graphite. This is the hunky 8b. It’s shrinking. I got it during my time in foundation. Favorite of mine. Especially for warmups. It handles tone and light in longer poses.

This was a longer pose. To draw for 1.5 hours of the same figure pose one must learn techniques of slowing down. I believe this is an important step as an artist – especially for me. I love long poses. I didn’t always love them. Techniques need to develop.

Longer poses. One of the best things about a long pose is getting the work to a finished stage. I’m use to having drawings that look part finished.

White charcoal for the light highlights. Using two colors makes it simple to mark the light and the dark areas. That’s really all  looking for with a figure. A white pencil is worth investing in. This would mix well with the colored pencil. With Oil paint I would add white to colors to gain a muted effect (also increases opacity).

A goal for life drawing has been to capture more of the figure. I want to draw the figure highly representational. From there I can go anywhere.

A classic style I have developed. This is with layering colored pencil and graphite, using straight line, tone shaded with lights and darks. This is what I started in Rogers life drawing class. It’s a chance to take this idea further – especially with long poses.

Here’s taking it right back to basics. Looking at the poses with shapes. I don’t like this style generally but have found it useful for proportions and perspective. I’d like to take ideas from this and merge with a more tonal, organic looking being. Dan mentioned that it looked like the figure was dreaming… and I could add thought bubbles.

Here’s some life drawing from last weeks Vincents class. I attended both Tuesday and Thursday, plus I made it this week (Tuesday – not sure if I will go  Thursday). Model on Friday so I think 14 hours is enough.

I can’t remember the model’s name – I’ve drawn her before.. Need to remember names as I hate writing these posts referring as model or them. I talked to her after class quickly – she had attended TLC years ago when it was in Island Bay

 A page of quicker poses. They start with 2 min poses. I like this length to begin with as it gives enough time to study an area and get some information down without having the problems of  ’oh crap, hate this long pose, nothing to draw’.  Out of these drawings I like the breast on the right. The tone is working well.  I’ve put much study into the torso. Those crayon studies are paying off! Getting to torso correct makes measuring the limbs easier. Starting from the nipple and work out – this is especially easy on female (I find it easier to draw the female figure over male, but enjoy drawing both equally).  On certain poses the shadow below the breast is helpful for measuring – this leads into the armpit and down to the bellybutton. It’s all about connecting that tone together to create one large mass of tone. That’s how I like to look at life drawing.

Portraits. These are on the verge of anime. They are certainly styled.  That’s ok though, I am still focus on looking at the model and capturing whats there. By creating a more stylized look I am morphing it into how I see it. This goes against the last paragraph. I’d like to experiment with merging a stylized look with classical studies.

Color pencil. Recently discussed negative space with my flatmate. I talked about the advantages of using negative spare around the model to measure the model. Keep referring back to the model. This helps with creating a setting for the model – rather than blank space.

Longer pose. This style is certainly a favorite of mine and I’d like to develop it further.  Majority of the model captured – plus I used negative space to measure distances. I was happy that I got it mostly correct – except for the head.

Need more technical feedback about my life drawings.

I made it agian to Vincents this week. Another Female model – and someone I hadn’t drawn.

I used 5 promarkers. The colors are – Sandstone, Raw Sienna (a fav), Cocoa, Burnt Sienna, and Warm Grey. All colors have a brown/offwhite feel. Lots of yellow – lacking in blue.

Thursday had been a Marc Hill TLC trip to Wellington – I’ll post about the day later. For now here’s the drawings I did at Vincents:

I arrived slightly late for Vincents, they had already started the first pose. The promarkers are two sided so I started with the point end – the other a chisel (best for creating larger areas of color). I normally perfer chisel as it covers a larger areas. Nothing very special about this piece. It’s just a two min warmup.

The legs on the the left is one of my favorite drawings I did that night. I had been drawing all day so wasn’t in the best mindset. The Promarkers are hard to get my head around – they are going to take lots of pratice. Watercolor techniques are important with them.

I wasn’t in the best posision for drawing the model (around the side rather then front) and this caused several back shots or poses where I would get minimal model because it was hidden behind a chair. I could of moved but the class was full so drew a portrait of someone else drawing. ha. I loved the models hair. It was very shot and straight – much like the drawing on the left. This caused some cool effects – like this:

Portrait studies. I’m familar with the portrait so a good place to start when experimenting with new media. I love the drawing on the left – the models hair reminded me of a male character from Final Fantasy. Super cool. Exploring areas of tone further in the right portrait.

The final. 40 min pose. This didn’t take 40 mins – I ended up finishing early and coloring in other areas of my book. I’m really happy with this. I’ve managed to capture the model with several different colors. It hasn’t turned into a messs.

Landscape and portrait pro marker works will be uploaded this weekend. I will also be drawing at the Island Bay festival if you are in the Wellington area and want to stop by. I’ll draw your portrait.

Today I arrived back in Wellington. I attended Vincents. It was a female model – Lyn. Afterwards I found out that she was the mother of Pri – a girl who I went to TLC with.

I painted - Gouache

Photo of new watercolor brush – it’s a bright. And the gouache. Primary Yellow, Ultramarine Blue, and Burnt Sienna. 25ml tubes, costing 12 dollars each. These will last and I look forward to creating works with them.

Here’s the first poses layed. These poses were 2 mins, standing. I changed color for each pose. This reminds me of the life acrylic painting. I was treating the acrylic paint very much like watercolor – think washes – allowing it to drip. Similar properties. The opaite nature of gouache will make it a interesting study.

Portraits. These two were 5 min poses. I like that painting is quick – unlike colored pencil where it takes a long time to cover a distance – painting is quick. Strong straight lines created – especially on the leg. I do like those lines.

A thumb study. I attempted blind painting – not looking at the painting paper but focused on the model. I’m going to practice this more with my life drawing and painting. I’m getting better at drawing/painting with my right hand so will practice blind more as well

Looks a bit messy. Abstract painting anyone? This was done blind.

Some interesting lines created here. I like the leg coming down – and the bend leg in front. This gouache is working for me.

A longer pose. One of my favorite works of the night. Beginning to mix colors – beautiful green created. You can never not have enough blues. The negative space helps create a setting for the model. With the quick spread of the paint this is easy to create.

Smile! Here I’ve warmed up and started to create finished works. This work is hanging on my wall. Wonderful from a distance. The figure is subtle the negative space (blue) creates a interesting shape that leads your eye around the piece. I like how it’s cut into several different shapes – build from triangles. This is why I like flat brushes – creates a sharp and defining edge.

A sitting pose. Back facing me. This was the first time I had painted/drawn Lyn so was very refreshing. It’s what I enjoy about Vincents – a range in models.

My favorite pose of the night. Lyn managed to hold this upside down pose for 10 mins. Very impressive.

I also painted landscapes today that I will upload in a future post.

After starting several landscape paintings with acrylic paint on board I had a go with digital ideas. I worked on these Thursday night on my travel from Wellington to Levin. I spoke to no one on the train, spenting the time on the computer and resting.

Similar start to the acrylic paintings. I like going in dark to define areas then using the gray for the environment. Colours are built up similar to how I would do it with acrylic. More detail is needed to bring it to a finished level.

I need to reopen this file and add more infomation and detail. Trees could work.

Life drawing tomorrow.

On Thursdays I am taking Marc Hills painting class. In the past when I’ve taken his classes I haven’t painted. Drawing… and hearing what he has to save. This terms going to be different. I want to paint and get plenty done.

Landscapes are what Marc specializes in. I may as well give them a go. I’ve enjoyed using landscapes in GIMP for SketchDaily. Chance to develop my art in a different style then just people. Conceptart.org is a favorite for me - Environment of the Week. I’ve told a bunch of people about it. If I haven’t told you, check it out! I haven’t posted anything I’m very inspired by the artwork posted. I am also inspired by the PC games – The Elder Scrolls : Skyrim (must invest more time) and Minecraft (I just brought it after watching my brother play it over Xmas). I’d be interested in transferring ideas from these games into my painting.

Here’s what I did on Thursday -

I took this photo at the end of last year. Lyall Bay is one of my favorite spot. I’m further away now that I have moved to Mount Cook. Kilburne is close the Lyall Bay. I don’t miss my old flat. Next weekend I’ll be in Island Bay so I’ll be sure to take the camera and get a few shots for future reference. For both of the paintings I started I started with this reference then switched to imagination. Thinking about buying a set of gouache. Could be helpful for traveling round Wellington and painting.

Reeves Artist Acrylic paint. It’s cheap. Does the job. I started with the horizon. Flat large brush – size 24.

I focused on creating depth and perspective in the piece. It’s only operating on two levels currently – the foreground surface and the background surface. The water effects and scale help create a distance between these objects.

The feedback I got back from Marc about this was to watch the clearatiy – basically that I didn’t lose objects or a sense of whats happening.

I went in with some colour – only a yellow for now. I’ll mix in other colours later – but wanted to take it slow. All my paint – oils and acrylic are opaque so I’ll keep exploring the properties of opacity. My digital painting has used this recently – working on 70% opacity over a low 30%. Marc works with opaite paints so he will be able to give feedback directly related to working with opaqueness.  I like the gaps that I created in the

foreground. Giving a sense that there is more complexity to the piece then just blocks.  It creates paths – and walkways. WHere would I like to take this next? Colour. Detail. I’d like to leave areas blank or underdeveloped – partially areas that are working. Areas that are not working – cover in paint – go in with detail. That’s the basic way I’m working with these paintings.

The second painting I started. Very much along the same idea as the first. I have 9 of these boards so would like to complete 9 landscape paintings – but see how they go and develop! Rachel said she liked this more the first wonderful! They should improve as I progress.  Marc gave some helpful feedback at the end of the day on this – watch the line. This is an interesting point – I would like to have crisp edges.  Stencils look like a option.

Back to Minecraft… taking a break from SketchDaily as I’m not enjoying the current theme. I have some digital landscapes that I will upload later – done on the train when traveling to Levin.

Last week I was lucky enough to head to Expressions gallery in Upper Hutt with Roberts block class. I wasn’t expecting to see the show as Upper Hutt is far away, so  extremely happy to get a chance. Hoped that Roger Key had entered a painting. Disappointment. Mostly interested in the paintings, especially use of color and tone.Certain paintings and works stood out for me - partially tutors that have taught me.

I had Karla as a tutor during my first term at TLC – July 2010. She teaches the foundation program. Her skill is wasted in such a limited class – I would be interested in taking a mains or block painting class by her.

I liked that she had left areas empty and the lines of charcoal are noticeable. I used a similar technique in Clowning around. Though I filled in all areas in the end, I worked with the concept of leaving areas blank or under-worked. Can be applied to my life drawing as well This causes a certain focus. The detail and focus are beautiful.

Read an article from Marc Hill talking about his painting Carmen here. I  loved the 3d aspect – Marc Hill has a background in stage and set design so this would come very natural to him. In the staff exhibit last year he painted an ocean landscape on a silver surface – an incredible effect for the clouds. I’m taking Marc Hills class this term – on Thursdays and plan to paint landscapes and environments. Hoping for some wonderful. Hill is certainly a tutor at TLC with an incredible background. TLC very privileged to have him teaching. He works with opiate paint over transparency. Fast drying – poster paint I believe. The sets would need to dry quickly so oils are a hard option if the sets needed immediately.

Another work I’d like to mention is Gary Freemantles –  Red Dot dog. This was a small round red sticker – and a painted bulldog portrait. Acrylic on paper. It gave me a good laugh. Oh Gary, such a troll. Priced for $250.00 it sold! Legend.

On Friday I painted on GIMP at TLC. We didn’t have a model so I just hanged out in Garys room with Rachel and such.

I haven’t been very good with keeping up with Reddit SketchDaily. This was spose to be a toy design but turned into a landscape. If I feel like painting a landscape, I’m going to do it! I saved ALOT of layers when working on this (17 in total), I shank this down to 7 frames for the GIF.

I started with a yellow background – created with a large brush. I then sketched in a toy design – gave him a stick to hold and used a red color scheme. I then focused on the background. Blues first. I created a horizon line where I separated the water with land. My thought behind the land was desert skinny hills. It needed contrast so added red at the end. I’ll explore this further.

I added a bridge over the water. This helped bridge the gap in perspective.

light highlights added to the water – simply adding white to the blue.

In the foreground I explored a reddish-brown, I completely changed the foreground – making the character almost non-existent.

Here’s the moment I’m most happy with. Perhaps I should develop from here.

The theme on Reddit SketchDaily today is Monster Under The Bed. I’ve been busy moving these last 4 days but finally had some time this morning to do a quick sketch in GIMP. I used no reference but instead just worked from imagination.

GIF of the process. Starting with a large brush I apply yellow to the background. Next it’s grays to get the shape in, followed by black line around major areas. Two shades of blue  - darker on the figure on the bed and monster under the bed. This same blue used for the frame.. White was added to the blue for the background and below the bed. The final color was a reddish-brown. I applied this to the two figures and the frame. White shade for the background.